南港老爺行旅運用飯店回收備品製成的藝術創作裝置，巧妙排列而成的煙火造型，看似簡單卻需要一定的技術與耐心，宣示著南港老爺對於循環材料再利用的決心。

飯店備品皆已經過消毒。

The art installation is created from recycled amenities at the Place Taipei. It shows the hotel's commitment to the reuse of materials in a sustainable manner.

The hotel amenities have all been disinfected.

「垃圾廚坊 Trash Kitchen」為全台首創以垃圾為材料，DIY進行循環再製體驗的透明化場域，讓全民參與材料再生的工作坊，以簡單有趣的「垃圾」料理模式，帶領大家了解循環再造。

“Trash Kitchen” is the first DIY workshop by using recycled garbage as materials in Taiwan. Using a simple and interesting “garbage” cooking model, Trash Kitchen will lead everyone to understand recycling, create practical upcycled products and give new value to recycled materials.

以循環再利用材料，透過漆器工藝表達對於地球家園的生態反省。

Through the use of recycled materials and the art of lacquerware, this project expresses ecological reflection on our planet.

將回收的廢棄玩具，轉變為色彩繽紛的兒童設計傢俱的歐洲品牌ecoBirdy。
Kiwi 收納盒採用奇異鳥造型增加大眾對於瀕危的鳥類的更多理解與認識。

ecoBirdy recycles discarded plastic toys and turns them into colorful, kid-sized design furniture that is comfortable to use and easy to clean.
The playful shape of "Kiwi" is suggestive of a Kiwi bird. The body is for storage and the beak is removable. It was designed to raise awareness about the endangered kiwi bird species.

這將廢棄的輪胎內胎再利用，賦予座椅坐墊的功能性，並選擇回收的紅白塑膠袋以編織的技法來表現座椅外衣，將外觀不起眼的內胎套上新裝後，立即變身為鬆軟又具彈性的甜甜圈座椅。

By using recycled inner tubes and making it a cushion. The designers also chose recycled plastic bags as weaving material to make the cover for the chair.

台電文創運用從全台各地及離島收集而來的退役變電箱，結合台灣廠商深厚的切割加工技術及特殊透明漆工法，完整保存材料的原始質感及故事性，將其轉化成生活物件

By recycling and reproducing retired transformer boxes, TPCreative aims to show its practices about circular economy and sustainability. It collects byproducts, obsolete equipment, and materials in the power generation process. After research, development and design, they are transformed into lifestyle products to trigger environmental awareness among consumers.

台電文創團隊持續實踐環境永續理念，以過去幾年在市場上辨識度極高的「台電人孔蓋圖紋」與精緻作工創造出獨特的人孔蓋杯墊。2022年最新版本以日月潭底泥為主，結合陶土窯燒結合電廠煤灰，成功挑戰過去不曾嘗試的全新材料。

TPCreative has been exploring various new elements for this signature product - The manhole coasters.The 2022 edition includes reservoir dredged mud, coal ash, and clay as a new combination. As dredged mud is different from clay and used without purification.

𝙃𝙞𝙗𝙖̄𝙣𝙜！取自「漁網」，也是「希望」的台語。一個兼具永續與品質生活的品牌。讓人們能在愉悅地執行永續生活，不需要因為永續的理想而對生活品質有所妥協。

In the name of hope, “Hibang” comes from the “fishing-net” and “hope” in Taiwanese dialect. Hibang establishes a stylish life with both sustainability and quality. Beyond creating the eyewear with a discarded fishing net, Hibang built a circular system to ensure every eyewear will be recycled while it’s the end of life.

2023以「地景複製Duplicating Landscape」系列作為個人展覽的論述，設計師重新詮釋「師法自然」的方法，塑造出其理想中的第二自然。

Taiwanese designer Erco Lai showcased his "Duplicating Landscape" series, inspired by his philosophy of learning from nature.

設計師透過開發研究“地質聚合物“這樣的創新材料，來思考人類是否能藉由將工業礦物廢料的再利用，達到可持續性發展的循環經濟。
供石系列，這種把天然石頭轉化成居家擺飾品的概念，試圖模糊自然形態和人造形態之間的界限，它也展現出了重新利用人造廢棄原料而不是持續竊取自然資源的可能性。

Calcium carbonate is a common material widely spread on Earth. However, the main resource of limestone nowadays is mostly from quarries, and what kind of alternatives could we find in our surroundings?
One of the forms of calcium carbonate is "limescale", a matter we produce in our water softening processes yet is often overlooked and discarded. The designer researches how to reconfigure limescale and focuses on creating "geopolymers", a chemical process to bind inorganic materials together. Based on the material research, he speculated what a "neo stone age" would look like, and how this harvesting and production method could be integrated into the city, and change both our interiors and exteriors.

以「Endless Chair」聞名於世的設計師Dirk Vander Kooij，接續著之前的成功，開發出了首款可以堆疊的椅子RVR，椅子全部運用回收塑膠列印而成。

Known internationally for the masterpiece “Endless Chair”, the designer Dirk Vander Kooij introduced the world to the new stackable chair “RVR”.
The RVR is all 3D printed, and it's available in a range of 9 colors. Color expression is influenced by variations in the recycled plastic source material.

設計師透過重新思考紅磚材料的運用與可能性，讓廢棄的老紅磚，在石雕工藝的巧手之下，賦予了全新的生命與功能。

The designer reimagined the possibility and function of brick material, and breathed new life into discarded old red bricks through the skilled stone carving.

工業設計師團隊西班牙巴斯克地區的水果沙拉設計工作室與臺灣黃若潔設計師共同策劃的(我們是)塑料漁民(Plastic fisherman) 展覽中，展示一系列以「讓垃圾成為生活中的珍寶」為靈感的設計物件與裝置。Argitu Lamp便是其中一件作品，設計師相信全球的塑膠污染議題，能透過有趣的體驗與創造，鼓勵正面的對話與循環創作，並且更深遠的在我們的生活習慣中促成改變。

By Present a series of objects and artworks created with this aim: “let the trash become something cherished”, and try to find a playful way out of the overwhelming global pollution.
Mazedonia Design Studio believes that plastic pollution awareness can be raised through joyful experiences and eventually with the goal to create positive impact and habits.
Plastic fisherman is an exhibition created and curated by industrial Designers from the Mazedonia Design Studio (Basque Country) and Jochieh Huang (Taiwan)

《第二湯匙計畫 Re-presso Spoon》與專注環保科技技術的「Miniwiz小智研發」合作,以最日常的「平底湯匙」作基底,應用 Miniwiz 獨家開發的行動綠方舟 TRASHPRESSO ,將一次性塑膠廢棄物賦予新的使用價值,連結台灣生活中的飲食與民俗,汲取出造型及符號,設計出三款全新的湯勺:基本形的「Jiáo (DUMPLING)」、碗形的「Wán」,以及碟形的「Bāo」,企圖開啟屬於下個時代的生活輪廓可能,並希望將承載台灣文化的物件融入到不同族群的日常中。

Re-presso Spoon, a co-creation by eco-friendly-tech company MINIWIZ, uses the flat-bottomed spoon, a cutlery of choice in Taiwan culture. With the help of TRASHPRESSO, MINIWIZ’s mobile recycling plant, the artwork adds value to single-use plastic by playfully branding it with different usage and in different sizes - the basic Jiáo (dumpling), the bowl-shaped Wán (ball) and the plate-shaped Bāo (bun). This newly shaped spoon looks at how culture can be combined with everyday objects and how the future can be shaped through value-added reusage.